Jonathan Soroff: Did you read all the Twilight books?
Julia Jones: Yes. I read them all within a week and a half [of] being cast. I had skimmed them, basically just looking for my character, during the audition process. I didn’t have time to read them all. But afterward, I dug in.
I’m a lot more aware of the killing part, to be honest with you. [Laughs.] I don’t think I’ve ever felt so unliked before in my life. I just had lunch with another one of the actors, and she said she had the same experience when she was cast. But Twilight is such a phenomenon, it’s natural for a lot of people to have strong opinions about it.
[Laughs.] I know her, and no, I don’t think she hates me. I hope she doesn’t. She’s an actor. She knows how this business works.
Actually, we aren’t werewolves. We’re shape-shifters. The main difference is that the moon doesn’t affect us in the same way. It’s a completely different creature. If you really get into the etymology of shape-shifters and werewolves, they’re completely different sources. But do I believe in shape-shifters? Umm, I don’t know. I’m not closed off to it.
Those I have a little harder time buying. I’m gonna go with no.
Those I believe in.
I can tell you this: Her father’s locker was next to my father’s locker at the gym in Boston.
Well, there’s a reason ER was on for such a long time. The writing was incredible. The acting was great. There was so much suspense. There were people who had been on that set for 14 years, and I could see how it could become repetitive. But because everyone knew it was coming to an end, every day felt like a gift.
It hasn’t actually, and in a weird, dread-filled way, I wish it had, because it’s sporadic. If it was constant, I could get used to it. I haven’t integrated that into my day-to-day existence.
I welcome that, because then it would just be a thing. It’s a very confusing experience to, every once in a while, walk out a door and have a photographer there.
No, I wouldn’t go that far. It’s more that I feel more protective of myself and try to calibrate what’s reasonable and what’s not. I think one of the dangers of fame is to get really paranoid, and there’s no need for that.
From what I’ve seen, I guess I’d probably be Jessica Szohr [the bohemian]. She’s the exotic outsider.
[Laughs.] Ah, yeah. A very good way of putting it. He’s so hot, it’s kind of hard to talk about.
The constant objectification—you find yourself, many times, with people talking about you as if you’re not really there, aren’t a human being, or don’t understand what they’re saying. I saw a lot and was exposed to a lot, but I was just sort of wallpaper.
The shoes. I have really unfortunate feet, and I learned as a model the difference of standing for 12 hours in a pair of Jimmy Choos versus whatever I would have been wearing. It was fairly massive, and it sort of ruined me. I love good shoes.
Actually, I find it so useful, I never could’ve imagined. As an actor, more often than not I’m just reading scripts and analyzing the character, and all of that was developed being an English major. I can draw from literature in what I do. It adds a dimension.
I stopped when I was modeling because my bookers said I was too muscular. They wanted me a little softer, with more curves.
When we were filming in Vancouver, somebody figured out how to get into the building across the street and found the right floor and started photographing us in our rooms. That was pretty bizarre.
I just hope it’s something I’m passionate about. Other than that, there’s no point projecting. I would like it to be something that gets seen.
Yes.
It’s a spin on a western, but a combination of a few different genres. It’s definitely a western, but there’s a campiness to it.
[Laughs.] No. I’m really not ready for that.
~Robstenfan
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